{"id":1355,"date":"2023-07-31T06:10:11","date_gmt":"2023-07-31T06:10:11","guid":{"rendered":"https:\/\/jumpingframes.com\/?page_id=2679"},"modified":"2023-07-31T07:40:54","modified_gmt":"2023-07-31T07:40:54","slug":"curator-note-2023","status":"publish","type":"page","link":"https:\/\/jumpingframes.com\/en\/curator-note-2023\/","title":{"rendered":"CURATOR&#8217;S NOTES"},"content":{"rendered":"\n<p>Let me do keywords here\u2026.<\/p>\n\n\n\n<p>Memory, Fact and Fiction<\/p>\n\n\n\n<p>Revisiting Archives and Re-organising Narratives<\/p>\n\n\n\n<p>Re-experiencing History or Reflecting on Personal Trauma<\/p>\n\n\n\n<p>Rehearsals or Reenactments<\/p>\n\n\n\n<p>Historical Re-enactments, Artistic Re-enactments<\/p>\n\n\n\n<p>Artistic Interrogation of Media \/ Images<\/p>\n\n\n\n<p>Mediated Memory\u2026.<\/p>\n\n\n\n<p>Past and Present<\/p>\n\n\n\n<p>Place and Border<\/p>\n\n\n\n<p>Human and Machine<\/p>\n\n\n\n<p>Individual and Collective<\/p>\n\n\n\n<p>Fiction and Non- Fiction<\/p>\n\n\n\n<p>Truth<\/p>\n\n\n\n<p>a certain truth,<\/p>\n\n\n\n<p>a kind of truth,<\/p>\n\n\n\n<p>nothing but the subjective truth : a performance<\/p>\n\n\n\n<p>Perhaps, a moment of innocence<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p>Elysa Wendi<\/p>\n\n\n\n<p>Curator \/ Festival Director<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"is-nowrap is-layout-flex wp-container-1 wp-block-group\">\n<figure class=\"wp-block-image size-full is-resized is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2022\/08\/Elysa-WENDI-1.jpeg\" alt=\"\" class=\"wp-image-1185\" width=\"269\" height=\"264\"\/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Elysa WENDI is an artist \u2013 curator based in Hong Kong.<br>Preoccupied with the abstraction of memory from place, time and biographical traces, Wendi explores these themes in her live and filmic works. After dancing professionally for a decade from 1998 \u2013 2008, she began experimenting on the notion of choreography through film, performances and curatorial projects. In 2015, Elysa co- founded Cinemovement, a platform to host interdisciplinary film creations together with film producer Jeremy Chua.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Let me do keywords here\u2026. Memory, Fact and Fiction Revisiting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ub_ctt_via":""},"featured_image_src":null,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CURATOR&#039;S NOTES - Jumping Frames - Hong Kong International Movement-image Festival<\/title>\n<meta name=\"description\" content=\"CURATOR&#039;S NOTES\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jumpingframes.com\/en\/curator-note-2023\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CURATOR&#039;S NOTES - Jumping Frames - Hong Kong International Movement-image Festival\" \/>\n<meta property=\"og:description\" content=\"CURATOR&#039;S NOTES\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jumpingframes.com\/en\/curator-note-2023\/\" \/>\n<meta property=\"og:site_name\" content=\"Jumping Frames - 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