{"id":2437,"date":"2025-10-10T07:17:58","date_gmt":"2025-10-10T07:17:58","guid":{"rendered":"https:\/\/jumpingframes.com\/?post_type=mec-events&p=3628"},"modified":"2025-10-16T16:16:28","modified_gmt":"2025-10-16T16:16:28","slug":"digital-sensing-biopolitics-body-and-environment","status":"publish","type":"mec-events","link":"https:\/\/jumpingframes.com\/en\/film\/digital-sensing-biopolitics-body-and-environment\/","title":{"rendered":"Body Archive II: Digital Sensing: Biopolitics, Body and Environment"},"content":{"rendered":"\n

Curated by Emilie CHOY Sin-yi<\/strong><\/em><\/p>\n\n\n\n

This programme gathers four works that probe how digital existence reconfigures our imaginaries of the body and its surrounds. Beginning from the materiality of the digital\u2014the labour, infrastructures, minerals, and climates that sustain computation\u2014the programme rethinks the cultural and social politics embedded in bodies and datasets alike. Their Eyes <\/em>brings into view the Global South workers who train and maintain artificial intelligence.   Fossilis<\/em> approaches the digital milieu through an archaeological lens, excavating interfaces and residues to expose technology\u2019s extractive logics. Delivery Dancers\u2019 Sphere<\/em> traces platform delivery labour and its cultural politics through AI and avatar performance. Tropic Temper<\/em> scrutinises regimes of environmental control built upon Singapore\u2019s tropical imaginaries. Together, these works ask what is sensed, governed, and resisted when bodies meet computation.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Tropic Temper<\/em><\/h2>\n\n\n\n

Tropic Temper <\/em>cracks open Singapore\u2019s code as a site of a disciplined tropics, deconstructing the roots that this garden city has forgotten.<\/p>\n\n\n\n

\n

Director \/ Elizabeth Gabrielle LEE
Singapore<\/strong> \/ 2023 \/ 16’14<\/strong><\/p>\n<\/blockquote>\n\n\n\n

–<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Delivery Dancer\u2019s Sphere<\/em><\/h2>\n\n\n\n

Ernst Mo is a rider for the powerful courier service Delivery Dancer. Every day, she transports an endless stream of parcels, following algorithmically generated routes through a labyrinthine, technofuturist Seoul. After she runs into an alternative version of herself, her reality slowly starts to crack.<\/p>\n\n\n\n

\n

Director \/ <\/strong>Ayoung KIM<\/strong>
South Korea \/ 2023 \/ 25’00<\/strong><\/p>\n<\/blockquote>\n\n\n\n

–<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Their Eyes<\/em><\/h2>\n\n\n\n

How does a machine learn to read the world? In a series of testimonies and screen recordings, clickworkers from the Global South talk about their daily work. Their job is to analyse, edit and label countless images of traffic on the streets of the Global North to train the AI of self-driving cars to navigate. In transnational chat rooms, the clickworkers imagine micro-strategies to hack the system that is exploiting them.<\/p>\n\n\n\n

\n

Director \/<\/strong><\/strong> Nicolas GOURAULT<\/strong>
France \/ 2025 \/ 22’36<\/strong><\/p>\n<\/blockquote>\n\n\n\n

–<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Fossilis<\/h2>\n\n\n\n

Fossilis<\/em> is oneiric cinema\u2014a phantasmal science-fiction prognosis, an essay film, and a tale of the verdant inferno of technological legacy. It grapples with the twenty-first-century reality that most of the planet\u2019s discarded electronics\u2014victims of planned obsolescence\u2014are dumped and entombed in Asia. Live-action sets fashioned from refuse, scenes shot in flea-markets of cannibalised components, 3-D assets and environments salvaged from abandoned projects, and AI images generated from thousands of unused photographs form its fabric. Fossilis thus offers more than concepts, narrative, or representation: its very production harnesses both digital and physical waste, transforming e-waste itself into an artistic medium.<\/p>\n\n\n\n

\n

Director \/ Riar RIZALDI<\/strong><\/strong>
Indonesia \/ 2023 \/<\/strong> 13\u201800<\/strong><\/p>\n<\/blockquote>\n\n\n\n

–<\/p>\n","protected":false},"excerpt":{"rendered":"

Curated by Emilie CHOY Sin-yi This programme gathers four works […]<\/p>\n","protected":false},"author":2,"featured_media":2454,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[11],"yoast_head":"\nBody Archive II: Digital Sensing: Biopolitics, Body and Environment - Jumping Frames - Hong Kong International Movement-image Festival<\/title>\n<meta name=\"description\" content=\"Body Archive II: Digital Sensing: Biopolitics, Body and Environment\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jumpingframes.com\/en\/film\/digital-sensing-biopolitics-body-and-environment\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Body Archive II: Digital Sensing: Biopolitics, Body and Environment - Jumping Frames - Hong Kong International Movement-image Festival\" \/>\n<meta property=\"og:description\" content=\"Body Archive II: Digital Sensing: Biopolitics, Body and Environment\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jumpingframes.com\/en\/film\/digital-sensing-biopolitics-body-and-environment\/\" \/>\n<meta property=\"og:site_name\" content=\"Jumping Frames - 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