

{"id":2418,"date":"2025-10-06T19:25:07","date_gmt":"2025-10-06T19:25:07","guid":{"rendered":"https:\/\/jumpingframes.com\/?post_type=mec-events&#038;p=3572"},"modified":"2025-10-30T09:39:56","modified_gmt":"2025-10-30T09:39:56","slug":"katrina-mcpherson","status":"publish","type":"mec-events","link":"https:\/\/jumpingframes.com\/en\/film\/katrina-mcpherson\/","title":{"rendered":"Artist Collection #3: Katrina MCPHERSON"},"content":{"rendered":"\n<div class=\"is-layout-flex wp-container-3 wp-block-columns\">\n<div class=\"is-layout-flow wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2025\/10\/Katrina-McPherson-director-profile-photo.jpeg\" alt=\"\" class=\"wp-image-3571\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\" style=\"flex-basis:66.66%\">\n<p>Katrina is a director, cinematographer and award-winning screendance artist whose creative, scholarly and educational practice is at the forefront of the international field. Having trained as a dancer and choreographer, a desire to explore the creative possibilities of dance and the moving image led Katrina to complete a postgraduate degree in video art, laying the foundations of what would become a lifelong, multi-faceted and influential engagement with dance on screen. Over the past 35 years, Katrina\u2019s collaborative films, installations and online works have been presented at venues and festivals worldwide. For 15 years, Katrina worked as a director of arts programmes for UK television. A much sought-after lecturer and mentor, Katrina teaches screendance worldwide and has initiated and facilitated numerous workshops, courses and symposia. Katrina is the Course Leader of the MA Screendance at London Contemporary Dance School.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"is-layout-flex wp-container-4 wp-block-columns\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2025\/10\/bw-pace-4.jpg\" alt=\"\" class=\"wp-image-3565\"\/><\/figure>\n\n\n\n<h2><em>Pace<\/em><\/h2>\n\n\n\n<p>A collaboration with choreographer Marisa Zanotti and composer Philip Jeck, &nbsp;<em>Pace<\/em> was generated through improvised scores for dancer and camera and shaped by montage editing, an approach which draws on McPherson\u2019s background in postmodern dance, video art and television directing.<span style=\"font-size: revert; color: initial;\"><\/span><\/p>\n\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong>Director \/ Katrina MCPHERSON<br>UK<strong> \/<\/strong><\/strong> <strong>1995 \/ 4\u201840<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2025\/10\/sang1.jpg\" alt=\"\" class=\"wp-image-3566\"\/><\/figure>\n\n\n\n<h2><em>There Is a Place<\/em><\/h2>\n\n\n\n<p><em>There is a Place<\/em> is a collaboration between Tibetan Chinese choreographer Sang Jijia and film-makers Katrina McPherson and Simon Fildes. The film combines the exquisite movement of Sang Jijia, with the stunning landscapes of the Scottish Highlands and a soundtrack based on the hypnotic music of Philip Jeck.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong>Directors \/ Katrina MCPHERSON \/ Simon FILDES \/ Sang Jijia<\/strong><br><strong>UK<strong> \/ <\/strong>2010 \/ 7\u201825<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1274\" height=\"796\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited.jpg\" alt=\"\" class=\"wp-image-2697\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited.jpg 1274w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited-300x187.jpg 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited-1024x640.jpg 1024w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited-768x480.jpg 768w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/Katrina-McPherson_mixed-landscapes4.-jpg-edited-50x31.jpg 50w\" sizes=\"(max-width: 1274px) 100vw, 1274px\" \/><\/figure>\n\n\n\n<h2><em>Paysages Mixtes\/ Mixed Landscapes<\/em><\/h2>\n\n\n\n<p>The possible last woman and man on earth move through many nuanced versions of their relationship. Full of history, longing and fragments of stories, their journey is at times quite unworldly, unnerving and a touch frightening through the unseen and the unspoken. Performed and co-directed by McPherson and Quebec choreographer Harold Rheaume.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong>Directors \/ Katrina MCPHERSON \/ Harold RHEAUME<\/strong><br><strong>UK<strong> \/<\/strong><\/strong> <strong>2019 \/ 13\u201910 <\/strong><\/p>\n<\/blockquote>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"571\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/The-Time-It-Takes-02-.png\" alt=\"\" class=\"wp-image-2645\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/The-Time-It-Takes-02-.png 1024w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/The-Time-It-Takes-02--300x167.png 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/The-Time-It-Takes-02--768x428.png 768w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/The-Time-It-Takes-02--50x28.png 50w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2><em>The times It Takes<\/em><\/h2>\n\n\n\n<p>Inspired by stories told by the landscapes of South Uist in Scotland\u2019s Outer Hebrides,&nbsp; <em>The Time It Takes <\/em>is a collaborative work where dance and camera are entirely improvised, the relationships, narratives and emotional arc of the work being created through the intricate interaction of on-screen performance, mise-en-scene, camera framing, editing and soundtrack.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong><strong>Directors\/ Katrina MCPHERSON<\/strong> \/ Simon FILDES<br>UK<strong> \/<\/strong><\/strong> <strong>2012 \/ 11\u201801<\/strong><\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"2560\" height=\"1439\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-scaled.jpg\" alt=\"\" class=\"wp-image-2699\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-scaled.jpg 2560w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-300x169.jpg 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-1024x576.jpg 1024w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-768x432.jpg 768w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-1536x863.jpg 1536w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-2048x1151.jpg 2048w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-50x28.jpg 50w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2025\/10\/WRO001-edited-1600x899.jpg 1600w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><\/figure>\n\n\n\n<h2><em>We record ourselves<\/em><\/h2>\n\n\n\n<p>A response to the life and work of the dancer Margaret Morris\u2019s archive, the film employs mixed-format materials, screens, bodies, texts and soundtrack to create a collection of moving images that reveal ideas and experiences to do with memory and disappearance, the performance and recording of human lives, and the ghosts of our influences.&nbsp;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong><strong>Directors \/ Katrina MCPHERSON<\/strong> \/ Natalia BARUA \/ Owa  BARUA \/ Simon ELLIS<br>UK<strong> \/<\/strong><\/strong> <strong>2016 \/ 8\u201826<\/strong><\/p>\n<\/blockquote>\n\n\n\n<p>&#8211;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2025\/10\/210512CMC_Screendance_Stills-124-1024x683.jpg\" alt=\"\" class=\"wp-image-3570\"\/><\/figure>\n\n\n\n<h2><em>Water &amp; Man<\/em><\/h2>\n\n\n\n<p>Drawing inspiration from the Irish myth of Am Brollachan, <em>Water &amp; Man<\/em> is a screendance ritual for the presence and absence of water.&nbsp; Made with choreographer Rob Heaslip, the work\u2019s filmic approach returns to McPherson\u2019s earlier fascination with screendance montage, evolving through layers of (re)contextualisation, inviting further interpretations beyond the viewing\u2019s end.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\">\n<p><strong><strong>Directors \/ Katrina MCPHERSON<\/strong> \/ Rob HEASLIP<br>UK<strong> \/<\/strong><\/strong> <strong>2022 \/ 7\u201849<\/strong><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Katrina is a director, cinematographer and award-winning screendance artist whose [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2645,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[53],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - 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