{"id":1980,"date":"2023-02-22T04:08:13","date_gmt":"2023-02-22T04:08:13","guid":{"rendered":"https:\/\/jumpingframes.com\/?post_type=mec-events&p=1968"},"modified":"2023-08-31T07:39:38","modified_gmt":"2023-08-31T07:39:38","slug":"saudade","status":"publish","type":"mec-events","link":"https:\/\/jumpingframes.com\/en\/film\/saudade\/","title":{"rendered":"SAUDADE"},"content":{"rendered":"\n

Singapore \/ 2020 \/ 20mins \/ Kristang \/ English subtitles<\/strong><\/p>\n\n\n\n

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Saudade<\/em> is an aural and visual archive narrated entirely in Kristang\u2014a creole language that emerged in 16th century Portuguese colonial Malacca. The film reimagines rituals and choreography characteristic of early Eurasian kampongs in three acts: a song and dance of the Jinkli Nona, a scene between a shrimp fisherman and his wife, and a cross\u0002cultural encounter with the orang minyak.<\/p>\n\n\n\n


Using folklore and myth as narrative anchors, Morton weaves his personal identity and allegorical storytelling into cinema to examine the origins of Eurasians. The intermingled Asian and European ancestry of the domiciled community is captured through the seemingly disparate appearance of a supernatural Malay legend alongside characters donning costumes that draw upon the conventions of Portuguese, Spanish and Dutch dress. Set against the exultant energies of the Eurasian imagination, the film tells a story of loss and displacement of a people and its language.<\/p>\n\n\n\n

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