{"id":1749,"date":"2023-03-02T04:37:14","date_gmt":"2023-03-02T04:37:14","guid":{"rendered":"https:\/\/jumpingframes.com\/?post_type=mec-events&#038;p=2302"},"modified":"2023-08-18T05:54:34","modified_gmt":"2023-08-18T05:54:34","slug":"look-two-ways-revisited","status":"publish","type":"mec-events","link":"https:\/\/jumpingframes.com\/en\/film\/look-two-ways-revisited\/","title":{"rendered":"Look Two Ways Revisited"},"content":{"rendered":"\n<p class=\"has-small-font-size\">Hong Kong \/ Singapore \/ Taiwan \/ 2019 \/ 50mins \/ Partially Cantonese \/ Putonghua \/ Chinese &amp; English ssubtitles<\/p>\n\n\n\n<p><em>Look Two Ways Revisited<\/em> is (re)created from the two-channel installation work <em>Look Two Ways<\/em> (2017). The original work \u2013 comprising 10 moving-image portraits by five filmmakers, Tsang Tsui-shan, Hugh Cho, Elysa Wendi, Chiu Chih-hua and Remu Iwai, who each created two portraits of contemporary dance artists in Hong Kong \u2013 explored the idea of portraiture in response to a provocation by Australian choreographer\/filmmaker Sue Healey. <em>Look Two Ways Revisited<\/em> is a new cut of the original films and offers a fresh look at the backgrounds and philosophies of the same group of dance artists from the perspective of Hong Kong today.<\/p>\n\n\n\n<p>Sue\u2019s provocation to the filmmakers in 2017:<\/p>\n\n\n\n<p>Portraits can reveal unspoken and powerful ideas about identity \u2013 creating deep connections between the observer and the observed. A portrait fundamentally involves the act of seeing and being seen. It requires a deep analysis of a person, revealing layers of ideas about the self, and our relationship to the world we live in. Using the unique landscape and history of Hong Kong, create two short portraits that use movement as the language to portray identity.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>1.<\/strong><em><strong>On the ___home<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Taiwan \/ 6mins<\/p>\n\n\n\n<p style=\"font-size:18px\">Director\uff1aCHIU Chih-hua\uff08Taiwan\uff09<br>Featuring Artists\uff1aLIM Wei-wei, CAI Ying<\/p>\n\n\n\n<p style=\"font-size:18px\">Memory and the body, the carriers of life, wandering in the vast and mightly endless fog.<\/p>\n\n\n\n<p>In the city is an intermediary, can people indifferent circumstances find shelter on the unnamed road?<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/\u5287\u716702-min-1024x577.png\" alt=\"\" class=\"wp-image-2316\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/\u5287\u716701-min-1024x573.png\" alt=\"\" class=\"wp-image-2317\"\/><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong><strong>2.\u00a0<\/strong><\/strong>Encounter<\/p>\n\n\n\n<p class=\"has-small-font-size\">Hong Kong \/ 6mins<\/p>\n\n\n\n<p style=\"font-size:18px\">Director\uff1aTSANG Tsui-shan\uff08Hong Kong\uff09<br>Featuring Artists\uff1aMUI Cheuk-yin, LAU So-kam<\/p>\n\n\n\n<p style=\"font-size:18px\">Exploring the story of two generations of dancers and their experience of Hong Kong, Encounter is a dance dialogue between Mui Cheuk-yin and Lau So-kam, her first teacher after her arrival in the city. Both overseas Chinese &#8211; Mui is originally from Indonesia and Lau from Myanmar &#8211; they connected through dance. Getting to know each other through movement and stillness, through the body and over the course of time, they found mutual support and consolation.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/000047850028-1024x679.jpg\" alt=\"\" class=\"wp-image-2310\"\/><\/figure>\n\n\n\n<div class=\"is-layout-flex wp-container-2 wp-block-columns\">\n<div class=\"is-layout-flow wp-block-column\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/000047840030-817x1024.jpg\" alt=\"\" class=\"wp-image-2309\"\/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>3.\u00a0<\/strong><em><strong>Jyu4 Jan4 Soeng5 Saan1<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Hong Kong \/ 7mins<\/p>\n\n\n\n<p style=\"font-size:18px\">Director\uff1aHugh CHO\uff08Hong Kong\uff09<br>Featuring Artists\uff1aHochi, Steve NG, Kenneth SZE, TO Chi-sing<\/p>\n\n\n\n<p style=\"font-size:18px\">The mountain embodies the five aggregates: form, feeling, perception, volitional action and consciousness. The mountain embodies the ego. People climb mountains seekingself-cultivation and a path to freedom. When they are forces to climb.they find their own strength.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/Hugh_03NewFilmStill-min-1024x605.png\" alt=\"\" class=\"wp-image-2313\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/Hugh02-1024x604.png\" alt=\"\" class=\"wp-image-2312\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/Hugh01-1024x604.png\" alt=\"\" class=\"wp-image-2311\"\/><\/figure>\n\n\n\n<div class=\"is-layout-constrained wp-block-group\"><div class=\"wp-block-group__inner-container\">\n<p class=\"has-medium-font-size\"><strong>4 .<\/strong><em><strong>Stay If You Can \/ Go If You Must<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Hong Kong \/ Singapore \/ 12mins<\/p>\n\n\n\n<p style=\"font-size:18px\">Director\uff1aElysa WENDI\uff08Hong Kong \/ Singapore\uff09<br>Featuring Artists\uff1aVirginia CHU Sau-man<\/p>\n\n\n\n<p>For me, a portrait is the essence of how we are remembered.<br>A memory frozen at the point when soul and thought converge in time and space.<br>Memories can be sentimental and deceptive.<br>Questioning existence and perspectives, I hope to capture two Hong KOng dance artists in different states of water.<br>One in the frozen state of ice, the other in the diffuse state of vapour.<br>Both states impermanent.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/Smoke-Portraits-2-min-1-1024x576.png\" alt=\"\" class=\"wp-image-2308\"\/><\/figure>\n<\/div><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>5.<\/strong><em><strong>\u00a0<\/strong>Isle \/ Alley<\/em><\/p>\n\n\n\n<p class=\"has-small-font-size\">Hong Kong \/ 15mins<\/p>\n\n\n\n<p style=\"font-size:18px\">Director\uff1aREMU REMU IWAI\uff08Hong Kong\uff09<br>Featuring Artists\uff1a<em>Alley<\/em> Kenny Leung,<strong><em> <\/em><\/strong><em>Isle<\/em> Yang Hao<\/p>\n\n\n\n<p>It seems like we&#8217;re in a narrow alley<br>Or like we&#8217;re the last creature in an uninhabited isle<br>Extrusion<br>Being pushed at the edge of our cuty<br>Exile<br>Getting into self-imposed exile at the end of time<br>Poets and dreams<br>Imprisoned traverllers and vioces<br>Dance Dance Dance!<\/p>\n\n\n\n<p>Here and now<br>Two of the different worlds<br>Peeking at their eternity or glimpse of life<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/NEW_20190715_LookTwoWaysRevisited-Alley-Kenny_ver111_4min05_Still03_f-min-1024x576.jpg\" alt=\"\" class=\"wp-image-2314\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/03\/NEW_20190715_LookTwoWaysRevisited-Isle-YangHao_ver111_11min30sec_Still01_f-min-1024x576.jpg\" alt=\"\" class=\"wp-image-2315\"\/><\/figure>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong><em>Look Two Ways Revisited<\/em> is commissioned bt West Kowloon Cultural District.<\/strong><\/p>\n\n\n\n<div class=\"is-layout-flex wp-container-6 wp-block-columns\">\n<div class=\"is-layout-flow wp-block-column\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/01\/\u4e0b\u8f09.png\" alt=\"\" class=\"wp-image-1539\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\"><\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hong Kong \/ Singapore \/ Taiwan \/ 2019 \/ 50mins [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1751,"comment_status":"closed","ping_status":"closed","template":"","tags":[2],"mec_category":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - 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