

{"id":1392,"date":"2023-07-31T09:29:56","date_gmt":"2023-07-31T09:29:56","guid":{"rendered":"https:\/\/jumpingframes.com\/?post_type=mec-events&#038;p=2763"},"modified":"2023-09-14T09:41:55","modified_gmt":"2023-09-14T09:41:55","slug":"dance-on-screen-filmfestival-graz","status":"publish","type":"mec-events","link":"https:\/\/jumpingframes.com\/en\/film\/dance-on-screen-filmfestival-graz\/","title":{"rendered":"Dance On Screen FilmFestival Graz"},"content":{"rendered":"\n<p>Artistic Director and Founder\uff1aValentina MOAR<\/p>\n\n\n\n<div class=\"is-layout-flex wp-container-3 wp-block-columns\">\n<div class=\"is-layout-flow wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"590\" height=\"590\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/DanceOnScreenGraz-LOGO-ROSSO.jpg\" alt=\"\" class=\"wp-image-1404\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/DanceOnScreenGraz-LOGO-ROSSO.jpg 590w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/DanceOnScreenGraz-LOGO-ROSSO-300x300.jpg 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/DanceOnScreenGraz-LOGO-ROSSO-150x150.jpg 150w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/DanceOnScreenGraz-LOGO-ROSSO-500x500.jpg 500w\" sizes=\"(max-width: 590px) 100vw, 590px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"is-layout-flow wp-block-column\" style=\"flex-basis:66.66%\">\n<p>&#8216;Dance On Screen FilmFestival\u2019 is the first and only screendance festival in Austria. It takes place in Graz, UNESCO City of Design and Cultural Capital of Europe 2003, annually since 2016 and will enter its 8th edition in November this year.<\/p>\n\n\n\n<p>The festival offers an intense program with film screenings, workshops, and film awards with international juries. It acts as an artistic platform and meeting point for Austrian and international dance filmmakers, dancers and the audience.<\/p>\n\n\n\n<p>The aim of the festival is the promotion of the visibility of dance film and the development and promotion of a dance film community in Austria and enabling artistic exchange by contributing to an active European and international dance film network. With an additional annual tour, \u2018Dance On Screen\u2019 also sets impulses for dance films in Europe during the year through cooperations with partner festivals in Germany, Italy, Switzerland, Greece, Spain and in other Austrian provinces.<\/p>\n\n\n\n<p>In the 2016-2022 editions, the festival screened over 300 dance films in Graz and offers a public online archive under the domain archive.danceonscreen.at.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Curator&#8217;s Notes<\/strong><\/p>\n\n\n\n<p>Dear Hong Kong audience! I am happy to take a small piece of \u2018Dance On Screen FilmFestival\u2019 8,833 miles away, to a different part of the world in terms of history, geography and culture but with the same passion and interest in an art that thrives on excellent health, videodance! I wanted to choose films that the festival gives special importance to, because of their aesthetics and the way they manage to speak to the audience, and because representing the variety of screendance, such as pure dance, storytelling (real and surreal), social message and denunciation. The common thread in these 7 very different films is the focus on the body &#8211; the choreography has always a strong sense of &#8216;today&#8217;. The films translate the richness and nuances of physical communication to the screen to create a new visual language for our time. There is always an interdependent relationship between body and space that delineates how movement is seen and perceived: they give a new dimension to understanding movement. I deliberately chose productions by independent artists, outside of large production companies: I think that the duty of festivals, like ours, is to support and spread their works, connecting people and names. I have an urgent need to thank the filmmakers, choreographers and performers of the films. Without their creative ideas and communicative urgency, the world would be grimmer. Thank you, \u2018Jumping Frames \u2013 Hong Kong International Movement-image Festival\u2019 , for the invitation!<\/p>\n\n\n\n<p>&#8212;Valentina Moar (Festival Director)<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/08\/800px-Hong_Kong_film_rating_Level_Two-A_Not_Suitable_For_Children.svg_.png\" alt=\"\" class=\"wp-image-3039\" width=\"44\" height=\"44\"\/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Not Suitable for Children<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/07\/Composure-01-1024x640.jpg\" alt=\"\" class=\"wp-image-2769\"\/><\/figure>\n\n\n\n<p><strong><em>Composure<\/em><\/strong><\/p>\n\n\n\n<p>Director: Matan COHEN<\/p>\n\n\n\n<p>Israel \/ 2021 \/ 6 mins \/ No dialogue<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/07\/In-Velvet-01-1024x576.jpg\" alt=\"\" class=\"wp-image-2770\"\/><\/figure>\n\n\n\n<p><strong><em>In Velvet<\/em><\/strong><\/p>\n\n\n\n<p>Directors: Jessica KENNEDY &amp; Megan KENNEDY<\/p>\n\n\n\n<p>Ireland \/ 2021 \/ 10 mins \/ English<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/07\/She-01-1024x427.jpg\" alt=\"\" class=\"wp-image-2772\"\/><\/figure>\n\n\n\n<p><strong><em>She <\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p>Director: Emil DAM SEIDEL <\/p>\n\n\n\n<p>Sweden \/  2021 \/ 7 mins \/ English<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"683\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01-1024x683.jpg\" alt=\"\" class=\"wp-image-1406\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01-1024x683.jpg 1024w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01-300x200.jpg 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01-768x512.jpg 768w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01-391x260.jpg 391w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/Almost-Uninhabited-01.jpg 1536w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>Almost Uninhabited<\/em><\/strong><\/p>\n\n\n\n<p>Director: Daniel MATOS<\/p>\n\n\n\n<p>Portugal \/ 2022 \/ 10 mins \/ No dialogue<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/07\/Swivel-01-1024x576.jpg\" alt=\"\" class=\"wp-image-2773\"\/><\/figure>\n\n\n\n<p><strong><em>Swivel<\/em><\/strong><\/p>\n\n\n\n<p>Director: Lois NORMAN<\/p>\n\n\n\n<p>UK \/ 2019 \/ 6 mins \/ No dialogue<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"531\" src=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-1024x531.png\" alt=\"\" class=\"wp-image-1407\" srcset=\"https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-1024x531.png 1024w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-300x155.png 300w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-768x398.png 768w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-1536x796.png 1536w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535-1600x829.png 1600w, https:\/\/jumpingframes.com\/en\/wp-content\/uploads\/sites\/3\/2023\/07\/\u87a2\u5e55\u64f7\u53d6\u756b\u9762-2023-07-31-175535.png 1793w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>Ben<\/em><\/strong><\/p>\n\n\n\n<p>Directors: Teresa SALA, Ilaria Vergani BASSI, Gabriel BEDDOES &amp; Mattia PARISOTTO<\/p>\n\n\n\n<p>Italy \/ 2019 \/ 8 mins \/ No dialogue<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/jumpingframes.com\/wp-content\/uploads\/2023\/07\/Beyond-01-1024x540.jpg\" alt=\"\" class=\"wp-image-2767\"\/><\/figure>\n\n\n\n<p><strong><em>Beyond<\/em><\/strong><\/p>\n\n\n\n<p>Director: Simone WIER\u00d8D<\/p>\n\n\n\n<p>Denmark \/ 2020 \/ 3 mins \/ No dialogue<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Artistic Director and Founder\uff1aValentina MOAR &#8216;Dance On Screen FilmFestival\u2019 is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1394,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"mec_category":[45],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dance On Screen FilmFestival Graz - Jumping Frames - Hong Kong International Movement-image Festival<\/title>\n<meta name=\"description\" content=\"Dance On Screen FilmFestival Graz\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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